Oscar Webber would reside at Webber Place until 1946. In 1930 Webber had Willeke design a $17,000 kitchen addition and changed the interior design of the sunroom at a cost of $10,000 due to structural changes. At the rear of the property was the carriage house with an attached green house, a vegetable garden and orchard. The final design accommodated many features, which included a cedar arch, rock garden, a children’s play lawn, formal rose garden with its tea house and swimming pool. The garden was complex, the varied levels and alternating informal and formal landscapes was connected by Flagstone walks. Tile was also the main design trait of the properties eleven bathrooms and the rooms were tiled exclusively with handmade Pewabic tile in varying colors.Īs part of the commission Willeke had also wanted to maintain control of the landscape architecture, and despite his talent in this field Webber hired Detroit landscape architect Arthur E. Mary Chase Stratton, the pottery’s co-founder, worked closely with Willeke to create special colors and beautiful surface effects. The fireplaces, while featuring elaborate hand carved details also featured some stunning tile work from the Pewabic Pottery. Wood was a huge feature in several rooms throughout the home, and included both chestnut and oak paneled walls. The remarkable detailing on the exterior woodwork – birds, vines flowers and grapes are continued throughout the interior on the doors, main staircase, and fireplaces. ![]() The slate roof, its thickness and color, enhances the design of the home, with the crowning feature, the stylish terracotta chimney pots. Willeke selected the colors carefully with regard to the quality of light and shadows at various times of the day. The exterior with its leaded cathedral windows’ is well balanced and constructed from a number of materials – brick, stone, plaster and timber. The three-story, seven bedroom, Tudor property was (and still is) truly stunning. Webber, as well as myself, could be justly proud”. Willeke wrote “the best opportunity I have had in Detroit to do something fine, of which you and Mrs. It had cost the Webber family $476,079.00 (well above the initial estimate) to build and it was beyond opulent. It is said the relationship between Webber and Willeke was strained at times, however both men had a mutual respect for each other and tolerated the frustrations during the ten-year span of the project.ĭuring the summer of 1927 Oscar, his wife Marjorie, their daughter, his father-in-law and staff moved into the 10,304 sq ft mansion. Webber retained complete control of the final design, with much redrawing and additional costs before the final plans were concluded. By this point the original site in Grosse Pointe Park had been abandoned in favor of a nearly forty-acre tract on Lake Shore Road in Grosse Pointe Shores. Various plans for the Tudor design were created, before one was selected in the summer of 1922, however due to Webber’s involvement in numerous projects, construction of the new mansion was postponed until June 1925. Webber began planning the house with Willeke in 1921. Before his death in 1912 the once small shop had grown to be the largest department store in the city. Hudson had emigrated from Ontario to Michigan and had opened a small men’s and boy’s store in Detroit. Oscar Webber was the General Manager of Hudsons Department store, and nephew of Joseph L. ![]() His work on residential projects (in Cincinnati and Detroit) was unique, and during his career he worked with the Fords, the Hudsons, the Clays, the Kanzlers and the Webbers in creating one of a kind buildings. Willeke worked for most of his career as a one-man band, and worked on all aspects of the commission from concept to construction and decoration. He was a skilled designer and could turn his hand to designing houses, chairs, automobiles, hospitals, and schools. Having moved from Cincinnati to Detroit in 1914, Willeke maintained a prestigious practice in Detroit. The Webber Mansion was the largest residential commission of architect Leonard B. This work of art still stands today at 22 Webber Place and was the home to Oscar Webber until 1946.
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